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Woo Jin Joo’s solo exhibition, Bodily Inbetweenness, is on view at Ruup & Form in London until Nov. 13, 2026. Her sculptures combine found furniture and clothing with fiber, clay and other materials to create hybrid forms informed by folklore, mythology and her experience across cultures.
Woo Jin Joo’s solo exhibition, Bodily Inbetweenness, is on view at Ruup & Form in London until Nov. 13, 2026, bringing together sculptures made from discarded objects, fiber and clay. The Seoul-born artist combines found furniture and clothing with stitched viscose thread and other materials to form uncanny, often body-like figures that draw on mythology, folklore and her life across cultures.
Joo gathers furniture, garments and other objects left behind near her home in London and while commuting to her studio in Deptford. She says she finds them by chance rather than seeking particular materials. Once incorporated into a sculpture, an old sock, a boot or a wooden table can become part of a form that blurs the boundary between an animal body, a person and a domestic object.
Works described in the report include “For Those Who Wade” (2025), an ochre arch form with black suede boots, and “Murmur” (2025), a tall leg-like sculpture topped by a carved wooden table. The exhibition also includes “A Long Long Time Ago” (2022), made with old socks, textiles, wadding, viscose thread and a stainless steel rod. The materials and dates identify individual works; the source does not provide a complete exhibition checklist.
Several sculptures approach the artist’s height. Joo says their scale affects how viewers experience them, encouraging people to move around the works and compare their bodies with the sculptures. The report says Joo will also have work on view at the Harley Foundation in Nottinghamshire in early 2027, though it gives no dates or further details about that presentation.
How Found Objects Become Figures
Joo’s practice makes the history of materials part of the sculpture. A discarded garment or piece of furniture carries a previous use, but its former owner and story are not identified in the source. Joo instead combines those objects with embroidery, clay and structural elements to create forms that leave their identity open to interpretation.
That approach connects the exhibition’s strange, hybrid bodies to the artist’s stated interest in how people make meaning. Her works do not come with a single explanation in the report; their unusual combinations invite viewers to decide how an object’s material past and its new sculptural form relate. The life-size scale adds a physical dimension to that encounter, making the works occupy space alongside their audience rather than appear only as images on a wall.
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Folklore Across Two Homes
Joo describes herself as Korean-Chinese and says she was raised between the two countries. She identifies East Asian cultural stories as part of her memory and psyche, while her life in London and direct encounters with objects also shape the images and ideas in her work. The source presents this as the artist’s account of her own influences, not as a fixed key to interpreting every sculpture.
Mythology and folklore, in Joo’s view, can offer ways of gaining knowledge and wisdom beyond ordinary perception. Her sculptures bring that interest together with materials encountered in everyday life: clothing, furniture, thread, ceramic and wood. The report places Bodily Inbetweenness within this ongoing practice and notes a further presentation planned in Nottinghamshire in 2027.
““I am not actively looking for anything in particular, but I discover them by happenstance, and they become meaningful; they provoke my imagination.””
— Woo Jin Joo
Exhibition and Future Show Details
The report says Bodily Inbetweenness runs through Nov. 13 at Ruup & Form, but it does not give opening hours, admission information or a full list of works on view. It also does not specify the dates, participating works or format of Joo’s planned presentation at the Harley Foundation in early 2027. The exhibition report describes the artist’s intentions and influences, but does not establish one definitive meaning for the sculptures.
London Closing and 2027 Presentation
Visitors can see Bodily Inbetweenness at Ruup & Form through Nov. 13, 2026. The source says Joo will have work on view at the Harley Foundation in Nottinghamshire in early 2027; further details about the dates and works have not been provided. Joo’s continuing practice can also be followed through her Instagram account, as noted in the original report.
Key Questions
Where can visitors see Woo Jin Joo’s current exhibition?
Bodily Inbetweenness is on view at Ruup & Form in London through Nov. 13, 2026. The source does not provide visiting hours or admission details.
What materials does Joo use in her sculptures?
Her works combine found objects such as furniture and garments with materials including viscose thread, clay, textiles, ceramic, wood and metal. The materials vary by work.
What is the connection between Joo’s work and folklore?
Joo says mythology and folklore can offer ways to gain knowledge and wisdom beyond ordinary perception. She also describes East Asian stories as part of her memory and psyche, alongside experiences of living in London.
Will Joo show work elsewhere after the London exhibition?
The report says she will have work on view at the Harley Foundation in Nottinghamshire in early 2027. Dates and details about the presentation have not been announced in the source.
Source: rss
