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A maker has built a 1:12-scale miniature study inspired by Terry Pratchett, using online photographs and advice from Bernard Pearson. The maker says it is not an exact replica; its handmade details include individually crafted books, a tiny leather jacket and a felted hat.
A maker has created a 1:12-scale miniature study inspired by Terry Pratchett, assembling tiny books, a fireplace, an armchair and objects associated with the author. The maker stresses that it is not an exact replica: limited reference photographs and a lack of precise measurements meant the scene represents only a small part of a room where Pratchett might have felt at home.
The maker’s account, published on sussi.dk, says the project took about a month and a half and drew on photographs found online. Bernard Pearson, known as “The Cunning Artificer,” answered the maker’s questions during the research. The account does not give a date for the project or identify the maker by name in the supplied material.
Books are a central feature of the scene. The maker says each was made individually with a cover intended to match the real book, despite difficulty finding complete images showing front, spine and back. One is described as a signed first edition of Good Omens, bearing the inscription “Burn this book!” The right-hand bookcase section holds Discworld titles and other Pratchett books.
Other details draw on objects and imagery associated with Pratchett. A miniature eagle lectern serves as a stand for a leather jacket and hat. The maker fashioned the eagle from clay, used wood for the rest of the stand, and applied brass-coloured spray paint. The jacket was hand-sewn from thin goat leather; the hat was felted from fine merino wool. The account identifies two pictures in the room as works by Paul Kidby: “Great T’Phon rising” above the fireplace and “Mors Ultima Ratio” behind the lectern.
The furnishings and smaller props were also made or sourced at miniature scale. The armchair combines wood, sheet foam and leather, with sandpaper and wax used to give it a worn appearance. A blanket was knitted using wool and silk thread and 0.7 mm needles. The maker says a small figure of the Librarian sits on a chest, alongside a candle, a clock in working order and a pewter sword. A manuscript represents the opening 50 pages of The Colour of Magic, the first Discworld novel, according to the account.
Pratchett’s World in Miniature
The project translates the author’s books and familiar imagery into a physical, carefully scaled scene. Its appeal lies not in claiming to preserve an exact historical room, but in showing how a reader and maker have interpreted details associated with Pratchett, including the Discworld books, his hat and leather jacket.
The maker’s description also makes visible the work behind miniature craft. A jacket that looks simple at a glance required very thin leather to avoid appearing disproportionately thick at 1:12 scale; the hat presented a different problem because ordinary wool fibres do not shrink to miniature size. Those details help explain why the maker calls the project an imagined study rather than a documentary reconstruction.
For Pratchett readers, the scene gathers references to his fiction and collaborators, including Kidby’s artwork, in one display. The source does not say whether the miniature is on public display, available for purchase, or part of a larger exhibition, so its reach beyond the maker’s online report is unknown.
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Reference Photos and Scale
The maker explains that a faithful replica would have required photographs from every angle and exact measurements. The available online images were limited, though one photograph of the wall helped guide the fireplace area. Pearson’s answers to the maker’s questions supplied additional assistance, but the source does not specify which details he confirmed or whether he had access to the original room.
The scene is presented as an imaginative tribute, not as a complete record of Pratchett’s workspace. The maker describes a small section of a room in which the author might have felt at home, and evokes a tiny figure occupying it while the house is quiet. That framing is important: individual items may refer to Pratchett, but the supplied account does not establish that every object was present in his actual study.
Some materials carry their own personal history. The firewood came from twigs of a large, old tulip tree in the maker’s yard, brought down by a winter storm. The small amount of leather used for the jacket came from scraps previously sent by a bookbinder. These are details about how the model was made, rather than evidence about Pratchett’s original room.
“This is not a replica of Terry Pratchett’s study.”
— The maker, in the sussi.dk project account
Limits of the Reconstruction
The source does not establish when the project was completed or published, where the miniature is now, or whether it will be shown publicly. It also provides no full set of room photographs, measurements or documentation that would allow readers to compare the model systematically with Pratchett’s actual study.
The maker identifies the Good Omens volume as a signed first edition, but the account does not explain how its edition or signature was authenticated. Nor does it specify which details came from Pearson’s guidance and which were inferred from photographs or chosen as artistic interpretation. The project should therefore be understood as an homage, not a verified reconstruction or catalogue of the room’s contents.
Further Details From the Maker
The supplied report does not announce an exhibition, sale, follow-up project or other next step. For now, the clearest record of the miniature is the maker’s online account, which describes its materials, references and construction choices. Any news about public display or additional documentation would need to come from the maker or the site.
Readers seeking to distinguish the model from the actual study can rely on the maker’s stated limits: the work uses the reference material available to them and represents only a small imagined section. Further photographs, measurements or statements about the room’s history could clarify how closely individual features correspond to Pratchett’s workspace, but none are included in the source material provided.
Key Questions
Is this an exact replica of Terry Pratchett’s study?
No. The maker says the work is a 1:12-scale miniature inspired by the study, not a replica. They lacked photographs from every angle and exact measurements.
How long did the miniature take to make?
The maker says the project took about a month and a half. The source does not give specific start or completion dates.
What details from Pratchett’s work and life appear in it?
The miniature includes Discworld books, a model manuscript representing the first 50 pages of The Colour of Magic, a small Librarian figure, and a lectern holding a miniature jacket and hat. It also displays two artworks credited to Paul Kidby.
Who helped with the research?
The maker says Bernard Pearson, known as “The Cunning Artificer,” answered multiple questions. The account does not specify which parts of the model he advised on.
Will the miniature be exhibited or sold?
The supplied report does not say. It gives no information about a public exhibition, sale or future display plans.
Source: sussi.dk
