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Shuling Guo’s solo exhibition Temple II is scheduled to open Oct. 15 at Hollis Taggart Downtown in New York and run through Dec. 5. The show will feature oil-and-colored-pencil paintings drawing on Guo’s memories of Guangdong, sacred imagery and nature, as well as her first mural. The source does not provide details about the mural’s design or the exhibition’s public programming.
Shuling Guo’s solo exhibition Temple II is scheduled to open Oct. 15 at Hollis Taggart Downtown in New York, bringing together paintings shaped by memories of her upbringing in Guangdong, China, and by sacred and folk traditions. The exhibition, which runs through Dec. 5, will also include Guo’s first mural, according to the gallery information reported by Colossal.
The paintings combine oil paint and colored pencil on linen over panel. Their softened, diffused forms include blossoms, flame-like shapes and glowing, ribbon-like tendrils. The works use symmetry and arch-like forms, with flowers and birds appearing within or around the architectural shapes. Colossal identifies works in the exhibition including Purple Glow, Portrait VIII, Portrait IX, Portrait X and Tune Is in the Tree II, all dated 2026.
Guo’s subject matter draws on memory, presence and loss. Her work on the exhibition coincided with the birth of her daughter and the death of her grandmother, the report says. Guo has also described the body as a temple, with the mind connecting physical experience to emotional and psychological life.
The exhibition is at 109 Norfolk Street in Manhattan. The gallery says the mural will transform the space into an immersive, meditative environment. Colossal’s report also notes that Guo’s paintings bring together references to religious art, spiritualist painting and floral imagery, while presenting those connections as part of an exploration of devotion and ritual.
Guo’s Rituals Take Gallery Form
The exhibition places Guo’s personal recollections alongside visual references to ceremony and sacred spaces. That combination gives viewers a way to encounter how family memory and spiritual traditions inform her compositions, rather than presenting the paintings as nature studies alone. The planned mural extends that encounter beyond individual works: the gallery says it will shape the room as an immersive, meditative space.
The works’ themes of birth, death and transience also give the exhibition a personal dimension. Guo’s paintings were made during a period marked by her daughter’s birth and her grandmother’s death, according to the report. The source does not describe the artist’s intentions for each individual painting, so those themes should not be treated as explanations of every image.
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From Guangdong Memories to Paint
Guo grew up in Chaoshan, in Guangdong Province, where Daoist and Buddhist practices coexist with local folk customs, according to the report. The gallery says she frequently visited her village temple as a child and that its wood carving, murals and sculpture became part of her visual memory. Those experiences provide a specific background for the exhibition’s references to ritual and sacred architecture.
Colossal also points to Early Renaissance religious imagery as an influence on Guo’s compositions, particularly the arch-like structures in which flowers droop or birds perch. The report compares the paintings’ atmospheric quality with the spiritualist work of Agnes Pelton and notes that their flowers may bring to mind Georgia O’Keeffe. These are critical comparisons in the source, not statements that Guo’s work directly copies either artist.
“I left my hometown / My hometown appears”
— Shuling Guo, in the poem “Temple II,” as quoted by Colossal
Mural Details Still Unspecified
The available report does not give the mural’s dimensions, materials or imagery, nor does it describe how visitors will move through or interact with the installation. It also does not list opening events, public programs or admission details. The gallery’s description that the mural will create an immersive, meditative space is its characterization; further specifics are not included in the source.
The report names several 2026 works but does not provide a complete exhibition checklist or say whether every pictured painting will be on view. No information is supplied about sales, later venues or plans for the exhibition after its scheduled Dec. 5 closing date.
Exhibition Opens October 15
Temple II is scheduled to open Oct. 15 at Hollis Taggart Downtown, 109 Norfolk Street, New York, and remain on view through Dec. 5, 2026. The exhibition is expected to include Guo’s first mural alongside her paintings. The source provides no additional schedule for events or programming; visitors should check the gallery’s announcements for any updates before attending.
Key Questions
When and where does Shuling Guo’s Temple II exhibition open?
It is scheduled to open Oct. 15, 2026, at Hollis Taggart Downtown, 109 Norfolk Street, New York.
How long will the exhibition run?
The exhibition is scheduled to continue through Dec. 5, 2026.
What will the exhibition include?
It will include Guo’s oil-and-colored-pencil paintings and her first mural, which the gallery says will turn the space into an immersive, meditative environment.
What informs Guo’s paintings?
The report connects the work to Guo’s memories of Chaoshan, Guangdong, local temple art and spiritual and folk traditions, as well as to themes of memory, devotion, nature and loss.
Source: rss
