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Brooklyn-based artist Robin F. Williams is presenting “Act Natural,” a new body of paintings, in a P·P·W pop-up at No. 9 Cork Street in London during Frieze. The works combine images of phones and artificial intelligence with references to pop culture and art history; the exhibition is scheduled to remain on view through October 24, 2026.
Brooklyn-based artist Robin F. Williams is presenting a new body of paintings, titled “Act Natural,” in a P·P·W pop-up at No. 9 Cork Street in London during Frieze. The works place phones and technology at the center of scenes shaped by pop culture and art history, exploring their appeal alongside the unease they can evoke. The exhibition is scheduled to run through October 24, 2026, according to Colossal’s report.
One work, “Infinite Scroll” (2026), depicts a figure lying in bed and staring at a phone, with red-lit fingertips and an infinity symbol layered over the scene. The composition turns an ordinary encounter with a screen into an image of repetition and absorption. Colossal describes the figure as catatonic; that is the publication’s reading of the painting, not a statement about a real person.
Other works bring technology into dialogue with familiar visual references. “Merminator” (2026) combines the idea of an ’80s cyborg assassin with a Disney princess, showing a metallic figure seated on a stone and looking toward a world it may not be able to join. In “I Am Not a Robot” (2026), a phone takes the central place of a pomegranate in a composition that draws on Hilma af Klint’s spiritualist abstractions and Sandro Botticelli’s “Madonna of the Pomegranate.”
The reported exhibition also includes “Holy Thirst Trap,” “Language Model,” and “Spooky Action at a Distance,” all dated 2026. The source identifies the works’ media and dimensions: “Holy Thirst Trap” is oil on linen, while “Language Model” is oil on canvas; “Spooky Action at a Distance” uses acrylic and oil on canvas. Colossal describes “Act Natural” as moving into the uncanny while holding together technology’s smooth appeal and its disturbing implications.
Technology at the Center of the Paintings
Williams’ exhibition treats technology not simply as subject matter but as part of the paintings’ visual structure. In “Infinite Scroll,” the device, the figure’s posture and the overlaid loop make screen use appear repetitive and absorbing. In “I Am Not a Robot,” the phone occupies a place associated with the human heart, drawing attention to how digital tools can be framed as intimate, powerful objects.
The exhibition’s use of references from popular culture and art history gives viewers more than one way into that subject. A cyborg and a princess share one image; a phone is placed within a composition recalling religious and spiritualist painting. These are artistic juxtapositions, not evidence that the works make a single factual claim about technology’s effects. Their relevance lies in how they picture both attraction and apprehension at a time when phones and artificial intelligence are common features of daily life.
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A New Body of Work in London
Colossal’s report presents “Act Natural” as a suite of new works by Williams, whose practice, as described there, considers how humans and machines may merge. The paintings draw on recognizable cultural imagery rather than presenting technology in a detached or purely technical setting. Their subjects include a phone user in bed, a robot-like figure and a phone recast through references to older painting traditions.
The show is being presented by P·P·W at No. 9 Cork Street as a pop-up during Frieze in London. Colossal lists the exhibition’s closing date as October 24, 2026. The report includes images and details for several paintings, but does not provide a full exhibition checklist or a statement from Williams about each work.
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Exhibition Details Still Unspecified
The available source gives the venue and scheduled closing date, but does not specify the pop-up’s opening date, daily hours, admission arrangements or whether visitors need to book. It also does not say whether the exhibition will travel after its London presentation or whether the paintings will be available for sale.
No direct remarks from Williams or P·P·W are included in the supplied report. Interpretations of the works’ meaning, including the framing of technology as alluring or disturbing, should be understood as descriptions of the art and the publication’s reading, rather than statements attributed to the artist.
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The London Showing Runs to October 24
The next confirmed milestone is the end of the scheduled presentation at No. 9 Cork Street on October 24, 2026. The source does not announce later dates or another venue. Visitors seeking practical information, including opening hours and access arrangements, will need to check with P·P·W or the venue, as those details are not given in the report.
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Key Questions
What is Robin F. Williams’ “Act Natural”?
It is a new body of paintings by Robin F. Williams that depicts technology and human experience through references to pop culture and art history.
Where is the exhibition being shown?
P·P·W is presenting the pop-up at No. 9 Cork Street in London during Frieze.
How long is “Act Natural” on view?
Colossal reports that the exhibition is scheduled to remain on view through October 24, 2026. Its opening date is not specified in the source.
Which paintings are featured in the report?
The report names “Infinite Scroll,” “Merminator,” “I Am Not a Robot,” “Holy Thirst Trap,” “Language Model,” and “Spooky Action at a Distance.” Each is dated 2026.
What remains unknown about the show?
The supplied report does not give visitor hours, admission or booking information, a complete checklist, or any plans for the paintings after the London presentation.
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